1 00:00:00,000 --> 00:00:03,480 Serial TV Story 2 00:00:09,900 --> 00:00:21,600 Heiwa Fansubs Presents... 3 00:00:09,900 --> 00:00:21,600 Carnation 4 00:00:11,760 --> 00:00:22,560 My small, rounded body is now 5 00:00:11,760 --> 00:00:22,560 Chisaku marumeta karada wa ima 6 00:00:11,760 --> 00:00:22,560 My body, tiny and curled up, is right now 7 00:00:15,270 --> 00:00:21,600 Week 20 "I Want To Protect You" Episode 113 8 00:00:22,560 --> 00:00:30,500 Hiding the stains and trembling 9 00:00:22,560 --> 00:00:30,500 Kanashimi kakushi furuete 10 00:00:22,560 --> 00:00:30,500 Trembling with hidden sorrows 11 00:00:23,310 --> 00:00:26,940 Screenplay Watanabe Aya 12 00:00:26,940 --> 00:00:30,280 Music Satō Naoki Musical Performance\h Face Music 13 00:00:30,280 --> 00:00:33,640 Theme Song "Carnation" Sheena Ringo 14 00:00:30,500 --> 00:00:39,090 It represents life. 15 00:00:30,500 --> 00:00:39,090 Inochi o arawashite iro no ne 16 00:00:30,500 --> 00:00:39,090 My life is represented by my color, isn't it 17 00:00:34,350 --> 00:00:35,980 Cast 18 00:00:35,980 --> 00:00:39,050 Ohara Itoko Ono Machiko 19 00:00:39,050 --> 00:00:42,150 Ohara Chiyo Asau Yumi 20 00:00:39,090 --> 00:00:49,710 My eyelids are now heavily wet 21 00:00:39,090 --> 00:00:49,710 Omoku nurashita mabuta wa ima 22 00:00:39,090 --> 00:00:49,710 My eyelids, heavily soaked, are right now 23 00:00:42,150 --> 00:00:45,220 Ohara Naoko Asami Kawasaki 24 00:00:45,230 --> 00:00:48,260 Satoko Ohara Misako Yasuda 25 00:00:48,260 --> 00:00:51,260 Kitamura Tatsuo Hosshan. 26 00:00:49,710 --> 00:00:57,790 For a day that brings joy 27 00:00:49,710 --> 00:00:57,790 Yorokobi utsusu hi no tame 28 00:00:49,710 --> 00:00:57,790 Reflecting my rapture of this day 29 00:00:51,260 --> 00:00:54,270 Kinomoto Eisaku Kōmoto Masahiro 30 00:00:54,270 --> 00:00:57,140 Saitō Genta Kaku Tomohiro Yoshimura\h Doitaiji Ozawa\h Noda Nironari 31 00:00:57,140 --> 00:01:00,000 Kinomoto Setsuko Ayako Nishimura 32 00:00:57,790 --> 00:01:07,130 You're growing your heart 33 00:00:57,790 --> 00:01:07,130 Kokoro o sodatete iru no ne 34 00:00:57,790 --> 00:01:07,130 That's how a heart is raised, isn't it 35 00:01:12,150 --> 00:01:17,190 Showa 36 (1961) May 36 00:01:15,050 --> 00:01:19,870 Starting in April, Naoko had opened her shop in a department store in Tokyo... 37 00:01:19,870 --> 00:01:23,250 ...and would call in every night by phone. 38 00:01:27,870 --> 00:01:30,980 Now, let's eat. 39 00:01:30,980 --> 00:01:33,000 Naoko again? 40 00:01:31,910 --> 00:01:33,000 Yeah. 41 00:01:33,330 --> 00:01:35,330 Itadakimasu. 42 00:01:35,640 --> 00:01:38,100 Is she okay with the phone charges? 43 00:01:38,100 --> 00:01:42,240 Yeah... "I make sure to pay the landlord," she says. 44 00:01:42,240 --> 00:01:44,550 Still, every day like that... 45 00:01:44,550 --> 00:01:46,580 It must be prohibitively expensive. 46 00:01:46,580 --> 00:01:48,880 Well, would it? 47 00:01:49,400 --> 00:01:52,180 Yeah. Mom tell her, "that's enough already." 48 00:01:52,310 --> 00:01:53,960 Even so... 49 00:01:53,960 --> 00:01:57,490 ...if she suddenly wasn't able to do that every night... 50 00:01:57,930 --> 00:02:03,870 ...I think she might lose a great deal of heart about her work. 51 00:02:04,610 --> 00:02:08,150 You're surprisingly worried about Naoko-neechan, aren't you? 52 00:02:09,830 --> 00:02:11,360 Shouldn't you... 53 00:02:11,360 --> 00:02:14,440 ...change your mind and go to Tokyo and see how she is? 54 00:02:14,440 --> 00:02:16,220 Me? 55 00:02:15,270 --> 00:02:16,220 Yeah. 56 00:02:16,330 --> 00:02:21,270 Well... That girl would get a perverse joy if I told her, "I'm coming." 57 00:02:21,530 --> 00:02:26,770 But the thing is, the next day I was trying to reach her by phone. 58 00:02:26,840 --> 00:02:29,530 It's been a long time since I last came to Tokyo... 59 00:02:29,530 --> 00:02:33,630 ...and I want to go do some sightseeing and take a look around your shop. 60 00:02:36,710 --> 00:02:37,600 Yeah. 61 00:02:38,480 --> 00:02:39,390 Eh? 62 00:02:41,120 --> 00:02:43,310 I'm fine with that. 63 00:02:44,250 --> 00:02:45,340 Eh?! 64 00:02:46,420 --> 00:02:49,570 Are you sure about me coming? 65 00:02:50,990 --> 00:02:53,280 Yeah. I'll be waiting. 66 00:02:53,700 --> 00:02:57,020 There was no mistaking that she had lost a lot of heart. 67 00:02:59,350 --> 00:03:03,190 These days, the "Kodama" Limited Express was running... 68 00:03:03,600 --> 00:03:05,780 ...so it only took seven hours now to get to Tokyo. 69 00:03:03,830 --> 00:03:08,900 Tokyo, Ginza 70 00:03:05,780 --> 00:03:08,730 The world was becoming truly useful. 71 00:03:14,850 --> 00:03:20,490 Thank you very much for visiting our stores today. 72 00:03:21,530 --> 00:03:26,600 Let us now guide you through this week's entertainment. 73 00:03:47,950 --> 00:03:50,050 Ohara-kun! Ohara-kun! 74 00:03:50,050 --> 00:03:51,160 Yes. 75 00:03:51,160 --> 00:03:52,800 I told you, didn't I?! 76 00:03:52,800 --> 00:03:56,150 About hanging up that scrap iron on the inside like this. 77 00:03:56,530 --> 00:03:59,650 Well, but this is... 78 00:03:57,570 --> 00:03:59,650 Never mind that and take it down! 79 00:03:59,860 --> 00:04:03,520 I don't know if it's art or whatever, but it's squalid! It's an eyesore! 80 00:04:04,240 --> 00:04:06,820 This is a department store. 81 00:04:06,820 --> 00:04:09,430 The things in this store should be more dignified! 82 00:04:18,390 --> 00:04:19,860 Help me. 83 00:04:19,860 --> 00:04:21,290 I told you so. 84 00:04:21,640 --> 00:04:22,580 Right? 85 00:04:24,650 --> 00:04:25,740 What is it?! 86 00:04:31,270 --> 00:04:34,070 Shall I come back later... 87 00:04:36,650 --> 00:04:40,790 Thinking that, I took a turn around the store and returned. 88 00:04:42,070 --> 00:04:44,640 Thanks very much. 89 00:04:42,070 --> 00:04:49,560 The Manager here is attempting to get Naoko to speak in the Tokyo dialect 90 00:04:44,640 --> 00:04:47,030 Thank YOU very much! 91 00:04:47,690 --> 00:04:50,000 Thanks very much. 92 00:04:50,000 --> 00:04:51,840 Thank YOU! 93 00:04:51,840 --> 00:04:53,380 He's even angrier now... 94 00:04:52,200 --> 00:04:55,490 Thanks very much! 95 00:04:53,380 --> 00:04:55,490 Thank YOU very much! 96 00:04:55,490 --> 00:04:59,040 Thanks very much. 97 00:04:56,530 --> 00:04:59,040 Can't be helped... 98 00:05:00,570 --> 00:05:04,780 Because of that, I ended up making three trips around the department store. 99 00:05:04,780 --> 00:05:06,680 Good afternoon. 100 00:05:05,230 --> 00:05:06,680 Welcome. 101 00:05:07,950 --> 00:05:09,160 Mom! 102 00:05:09,160 --> 00:05:10,370 Here... 103 00:05:10,370 --> 00:05:13,960 Naoko is always under your care. 104 00:05:13,960 --> 00:05:15,230 Mom. 105 00:05:15,230 --> 00:05:19,230 Ahh... Ala ala, I've arrived at long last. 106 00:05:19,890 --> 00:05:22,790 What is this; you're really late. Did you stop off somewhere? 107 00:05:22,790 --> 00:05:24,420 No. 108 00:05:24,420 --> 00:05:27,440 Nothing like that. 109 00:05:28,370 --> 00:05:34,150 Even so, this is a truly wonderful store! 110 00:05:34,150 --> 00:05:35,840 Yes! 111 00:05:35,840 --> 00:05:36,930 I guess. 112 00:05:36,930 --> 00:05:39,030 Ah! 113 00:05:40,810 --> 00:05:41,910 Well... 114 00:05:41,910 --> 00:05:47,090 ...my boss has acknowledged my talent, so I can do as I like. 115 00:05:47,870 --> 00:05:48,930 Yeah... 116 00:05:49,390 --> 00:05:50,540 I see. 117 00:05:52,770 --> 00:05:54,430 Yeah. 118 00:05:56,080 --> 00:05:58,600 Good afternoon. 119 00:05:57,210 --> 00:05:58,600 Ah, welcome... 120 00:05:58,600 --> 00:06:00,070 Welcome in. 121 00:06:00,560 --> 00:06:05,910 Um... I had these pantaloons made here the other day. 122 00:06:05,910 --> 00:06:07,540 Yes. Thank you very much. 123 00:06:09,100 --> 00:06:12,380 I'd like them remade a little. 124 00:06:12,660 --> 00:06:13,760 Eh... 125 00:06:14,100 --> 00:06:15,520 Why? 126 00:06:15,750 --> 00:06:18,630 Because they're difficult to walk in. 127 00:06:18,630 --> 00:06:22,670 You took my money for a defective product! 128 00:06:22,950 --> 00:06:25,220 What nerve you have! 129 00:06:25,820 --> 00:06:27,080 Ah, I don't believe this! 130 00:06:45,320 --> 00:06:46,920 Lemme see. 131 00:06:48,980 --> 00:06:51,040 Let me see it! 132 00:07:04,040 --> 00:07:06,720 You were reckless with these. 133 00:07:08,220 --> 00:07:11,890 You sewed the velveteen like this. 134 00:07:12,160 --> 00:07:16,960 And, if you put the pockets right here, of course they'd be hard to walk in. 135 00:07:17,980 --> 00:07:19,880 For now, let's deal with these pockets. 136 00:07:20,140 --> 00:07:23,780 And then, right around here... 137 00:07:27,350 --> 00:07:29,630 You don't understand, Mom. 138 00:07:29,630 --> 00:07:30,590 Huh? 139 00:07:33,210 --> 00:07:35,800 Those pockets aren't crucial. 140 00:07:39,570 --> 00:07:41,270 In this design... 141 00:07:41,730 --> 00:07:44,990 ...this was the first time it was even finished with those pockets. 142 00:07:50,400 --> 00:07:51,580 Fool. 143 00:07:52,660 --> 00:07:55,220 You can't have clothes with unfinished pockets. 144 00:07:56,570 --> 00:07:58,600 The person who wears these clothes... 145 00:07:58,600 --> 00:08:02,190 ...has to feel that they are finished right from the start! 146 00:08:06,410 --> 00:08:07,550 Look... 147 00:08:07,880 --> 00:08:09,320 ...redo these. 148 00:08:12,390 --> 00:08:13,830 I'll help you. 149 00:08:24,590 --> 00:08:27,550 Look, how many servings of hand rolled sushi should I order? Three servings? 150 00:08:27,720 --> 00:08:30,800 Why just three servings? I'll have five servings! 151 00:08:30,800 --> 00:08:32,370 Eh? Are you sure?! 152 00:08:31,290 --> 00:08:32,370 Whoa... 153 00:08:32,370 --> 00:08:33,710 Don't worry! 154 00:08:33,790 --> 00:08:37,910 Their hand-rolled sushi is the highest grade. I'll treat you to the second or third level ones! 155 00:08:37,910 --> 00:08:41,430 Thank you very much! 156 00:08:39,110 --> 00:08:41,430 Thank you very much! 157 00:08:40,200 --> 00:08:41,430 That's okay. 158 00:08:41,430 --> 00:08:47,170 It's an Oba-chan's duty to make sure young people don't starve by feeding them lots. 159 00:08:47,170 --> 00:08:49,000 Thank you very much! 160 00:08:51,170 --> 00:08:52,480 By the way, Naoko. 161 00:08:52,480 --> 00:08:54,230 Were my artworks popular? 162 00:08:54,230 --> 00:08:56,620 Ah! Ala, did you make those? 163 00:08:56,620 --> 00:08:58,580 Ah, did you see them, Oba-chan? 164 00:08:58,580 --> 00:09:00,700 I saw them, I saw them! 165 00:09:00,700 --> 00:09:03,020 Eh? Mom, when did you see them? 166 00:09:03,930 --> 00:09:05,080 Ala? 167 00:09:05,080 --> 00:09:07,530 Was it just my imagination? 168 00:09:07,860 --> 00:09:08,860 Eh...? 169 00:09:11,050 --> 00:09:13,160 That idiot Manager told me... 170 00:09:13,160 --> 00:09:16,210 ..."don't hang that dirty scrap iron in here." 171 00:09:16,210 --> 00:09:17,510 Eh? 172 00:09:17,510 --> 00:09:18,810 Really? 173 00:09:18,810 --> 00:09:19,890 Yeah. 174 00:09:20,280 --> 00:09:23,560 That Manager just doesn't get it. 175 00:09:23,800 --> 00:09:26,210 Were you able to understand my work? 176 00:09:27,330 --> 00:09:31,760 Well... To me, all I could see was scrap iron, though. 177 00:09:31,760 --> 00:09:32,910 Ala... 178 00:09:34,780 --> 00:09:37,060 So when did you see them, Mom? 179 00:09:37,060 --> 00:09:38,440 Even so... 180 00:09:38,760 --> 00:09:44,710 ...how do I put it, I'm slightly smarter about those things these days. 181 00:09:44,830 --> 00:09:45,870 Ah... 182 00:09:45,870 --> 00:09:48,460 Because I didn't find out about those kind of things as a young girl... 183 00:09:48,460 --> 00:09:53,240 ...I feel my experiences would limit me to just making mistakes about them. 184 00:09:53,580 --> 00:09:55,210 Ehh... 185 00:09:56,330 --> 00:09:57,740 In short... 186 00:09:57,960 --> 00:10:00,880 ...it's like a foreign language to me. 187 00:10:02,530 --> 00:10:08,210 I may not understand it, but I know there are people who can understand it. 188 00:10:08,500 --> 00:10:09,680 And... 189 00:10:09,950 --> 00:10:12,400 ...when the person who made it says... 190 00:10:12,400 --> 00:10:15,350 ...that they've put their true feelings into it... 191 00:10:15,350 --> 00:10:17,580 ...that much I can understand. 192 00:10:17,740 --> 00:10:18,870 Mmm... 193 00:10:19,200 --> 00:10:22,850 I think that scrap iron has your true feelings in it. 194 00:10:24,320 --> 00:10:26,100 Thank you very much. 195 00:10:26,100 --> 00:10:28,210 That's great, Genta. 196 00:10:27,160 --> 00:10:28,210 Ah! 197 00:10:31,490 --> 00:10:32,630 Say... 198 00:10:33,090 --> 00:10:35,820 What sort of dreams do you guys hold for the future? 199 00:10:36,160 --> 00:10:39,140 I guess that would be as a pret-a-porter designer. 200 00:10:39,140 --> 00:10:40,590 Me, too. 201 00:10:40,590 --> 00:10:42,840 I guess it'll be in pret-a-porter? 202 00:10:41,940 --> 00:10:42,840 Yes. 203 00:10:43,060 --> 00:10:48,550 As a designer of pret-a-porter, I want people all over the world to wear the clothes I design. 204 00:10:48,550 --> 00:10:50,760 All over the world? 205 00:10:49,770 --> 00:10:50,760 Yes. 206 00:10:50,760 --> 00:10:56,230 Ma'am, pret-a-porter can make people all over the world our customers. 207 00:10:56,530 --> 00:10:59,170 Ah...! 208 00:10:59,170 --> 00:11:02,320 I'd like to see Tokyo as Paris is now. 209 00:11:02,320 --> 00:11:03,860 That's true. 210 00:11:02,700 --> 00:11:03,860 Yeah. 211 00:11:03,860 --> 00:11:06,680 If Tokyo releases popular fashions... 212 00:11:06,680 --> 00:11:11,220 ...it would become interesting when we open up collections the way Paris designers do. 213 00:11:11,220 --> 00:11:12,550 A Tokyo Collection, huh? 214 00:11:12,550 --> 00:11:13,670 Yeah. 215 00:11:13,670 --> 00:11:15,060 That would be nice! 216 00:11:16,520 --> 00:11:18,020 The world! 217 00:11:24,410 --> 00:11:26,130 I put in the order for the prime hand-rolled sushi. 218 00:11:26,130 --> 00:11:28,840 I felt that the shape of... 219 00:11:28,840 --> 00:11:31,710 ...these young people's dreams was vast. 220 00:11:34,210 --> 00:11:36,290 No matter how high up it might be... 221 00:11:37,340 --> 00:11:41,270 ...they would fly up to meet it. 222 00:11:48,070 --> 00:11:52,330 Since such big dreams can be broken so easily... 223 00:11:53,930 --> 00:11:57,480 I pray, please, please protect them. 224 00:11:59,030 --> 00:12:01,070 Ehh... 225 00:11:59,780 --> 00:12:03,230 Genta 226 00:12:01,070 --> 00:12:03,700 Mom, make one for Ozawa-kun. 227 00:12:04,570 --> 00:12:08,100 For now I had to fill their stomachs with plenty to eat. 228 00:12:08,100 --> 00:12:10,850 I guess that's an Oba-chan's duty. 229 00:12:11,580 --> 00:12:13,740 Only Nao-chan's is no good. 230 00:12:13,740 --> 00:12:16,750 Coffee Shop 231 00:12:13,740 --> 00:12:16,750 Taiko 232 00:12:16,750 --> 00:12:19,740 Oh! Look, you're the Master here now? 233 00:12:19,740 --> 00:12:24,800 That's right! Thankfully, every day has been fun. 234 00:12:24,800 --> 00:12:27,650 Oh, what about your son? 235 00:12:26,060 --> 00:12:27,650 Ah, about that. 236 00:12:27,650 --> 00:12:31,960 He's working at an electrical store in Nipponbashi. 237 00:12:30,180 --> 00:12:31,960 Oh, he's gone to Nipponbashi! 238 00:12:31,960 --> 00:12:35,600 That's great! 239 00:12:32,870 --> 00:12:35,600 That's true. 240 00:12:35,600 --> 00:12:38,650 Good afternoon. 241 00:12:36,910 --> 00:12:38,650 Good afternoon. 242 00:12:37,360 --> 00:12:38,650 Ito-chan! 243 00:12:38,650 --> 00:12:42,420 Sato-chan! 244 00:12:39,630 --> 00:12:42,420 Sir. Can we get some pancakes and hot chocolate? 245 00:12:42,420 --> 00:12:44,190 Okay! 246 00:12:44,190 --> 00:12:46,370 Coming right up. 247 00:12:57,520 --> 00:12:59,930 What did you want to talk about? 248 00:13:03,610 --> 00:13:04,830 Can you... 249 00:13:07,360 --> 00:13:10,030 ...entrust me with Satoko? 250 00:13:10,520 --> 00:13:11,800 What are you talking about? 251 00:13:12,920 --> 00:13:18,050 I was thinking I could raise Satoko to be a first-class designer. 252 00:13:18,490 --> 00:13:19,630 What? 253 00:13:20,890 --> 00:13:25,450 Look, I told you I'll be in pret-a-porter from here on, right? 254 00:13:27,480 --> 00:13:29,420 And, I've been trying out many things. 255 00:13:29,420 --> 00:13:31,700 Yet even so, they aren't working out. 256 00:13:31,820 --> 00:13:35,180 Everyone else has hurried and made contracts with the famous places already. 257 00:13:35,180 --> 00:13:36,190 That's true... 258 00:13:36,760 --> 00:13:38,270 Since... 259 00:13:38,740 --> 00:13:41,800 ...I can't join up with a famous name now... 260 00:13:42,110 --> 00:13:45,740 ...I want to, conversely, round up young people... 261 00:13:45,740 --> 00:13:49,440 ...and then train them to become first-class designers! 262 00:13:50,290 --> 00:13:52,260 And that's where Satoko comes in? 263 00:13:50,740 --> 00:13:52,260 That's right! 264 00:13:52,260 --> 00:13:54,160 Fool. 265 00:13:53,060 --> 00:13:54,160 Why? 266 00:13:54,160 --> 00:13:57,780 Look you, you're just using whatever you think you can grab ahold of. 267 00:13:58,000 --> 00:14:00,360 I'm not just grasping at straws here! 268 00:14:00,360 --> 00:14:03,950 She's your daughter and has your character, right? 269 00:14:07,890 --> 00:14:10,080 But, I... 270 00:14:10,380 --> 00:14:11,700 Yeah. 271 00:14:12,110 --> 00:14:13,640 Are you interested? 272 00:14:13,640 --> 00:14:14,730 Hmm. 273 00:14:14,730 --> 00:14:17,190 I am. 274 00:14:15,590 --> 00:14:17,190 Oh! 275 00:14:16,010 --> 00:14:17,190 No! 276 00:14:18,570 --> 00:14:20,440 I don't want her in dressmaking. 277 00:14:21,750 --> 00:14:25,100 Why? She just said "I'm interested" just now, didn't she? 278 00:14:25,100 --> 00:14:29,450 Have you tried drawing even one design on your own yet? 279 00:14:30,770 --> 00:14:34,130 Don't be so naive. Don't say such halfway things! 280 00:14:34,130 --> 00:14:36,190 Well, even so... 281 00:14:34,690 --> 00:14:36,190 Sir! 282 00:14:36,990 --> 00:14:38,760 Where are those pancakes? 283 00:14:38,760 --> 00:14:40,960 Ah, forgive me! 284 00:14:40,960 --> 00:14:44,300 These are surprisingly difficult to cook. 285 00:14:50,600 --> 00:14:54,540 To Be Continued 286 00:14:54,540 --> 00:14:57,510 Carnation 287 00:14:54,540 --> 00:14:57,510 End 288 00:14:54,540 --> 00:14:57,510 Stylishly Dressed Photo Gallery 289 00:14:55,270 --> 00:14:57,510 5 Tokyo Department Store Intepreters (Circa Showa 30 (1955), Yuraku-cho)